It’s almost as
commonly asked
as “If you were a tree what kind of tree would you be?” You know,
that one about having a dinner party and your ideal guest list of
people, dead or alive (assuming, of course, that the dead invitees
would actually be miraculously living again to enjoy cocktails
leading up to an exquisitely catered affair).
I
don’t know. Not in terms of tree or guests. I suppose it’s safe
to say I wouldn’t want to be an alder. Too bland. And I wouldn’t
want to dine with Larry Kramer. Too much the other extreme. With
respect to Larry Kramer, I will always conjure up mid- to late-’80s
Larry. Brash. Over the top. In your face.
To
be sure, ’80s Larry would have flat out turn down my evening
soiree. Even before learning the entree would be some sort of
overcooked tofu-asparagus noodle dish. This is why I don’t spend
much time thinking of hypothetical celebrity dinner parties. If any
of them showed up, I know they’d take one sniff—“Um,...is
that
your cooking
or is there
a
car tire
burning
in the
back
alley?”—and
flee to Whole Foods or the McDonald’s drive-thru.
Larry
Kramer made me cringe. He’d
probably take
that
as a compliment.
He
wanted
people
to
take
notice.
In
his mind, it was his role
to
shake
things
up.
I
first
came
across
Mr. Kramer’s
name
when
I was
a
deeply
closeted,
dateless,
sexless
special
education
teacher
living
in
a Dallas suburb. Somehow
at some
point
in 1988, I managed
to quell
just enough
fear
and embarrassment
to walk into a bookstore
and
buy Randy Shilts’
And
the
Band
Played
On: Politics,
People,
and
the
AIDS
Epidemic.
I
devoured
the
620-page
book,
setting
it aside
frequently
as my emotions
got the
better
of me,
the
pendulum
swinging back and forth from anger
to inconsolable
sorrow.
Larry’s
name
first
popped
up on page
25
and a quote
from
his
1978 novel,
Faggots,
connected
with my
Texas-nurtured
judginess
and my worries
that coming out of the
closet
would mean
more
than
a lifetime
of
scorn; it
would lead
to an aching emptiness.
have
anything
else
to
do...all we
do
is live
in
our Ghetto
and
dance
and
drug and fuck...there’s
a whole
world
out there!...I’m
tired
of being
a New
York City-Fire
Island
faggot, I’m tired
of
using
my body as a faceless
thing to lure
another
faceless
thing,
I
want to love
a
Person!
I want to go out and live
in
a world with
that
Person,
a Person
who loves
me,
we
shouldn’t
have
to
be
faithful!,
we
should
want
to
be
faithful!...No
relationship
in the
world
could survive
the
shit
we
lay
on it.
Suffice
it
to say, he
pissed
off a lot of New
York gays.
I
wanted
to read
more
about
what this Larry Kramer
guy had to say. But there
was
no way I was going to be
able
to
trek
back to another
bookstore
and
buy a book with the
word
FAGGOTS blazoned
across the
cover.
Not in Dallas. Not
as my closeted,
dateless,
sexless
self.
More
than
two hundred
pages
later
in And
the
Band
Played
On,
Shilts referenced
“a hand grenade
[thrown]
into the
foxhole
of
denial
where
most
gay men
in the
United
States
had been
sitting out the
epidemic.”
That grenade
was
Kramer’s
March 1983 cover
story, “1,112 and Counting,” in the
now-defunct
biweekly gay newspaper,
New
York Native.
Kramer
opened
with:
If
this article
doesn’t
scare
the
shit
out of you we’re
in
real
trouble.
If
this article
doesn’t
rouse
you
to anger,
fury, rage
and
action, gay
men
may have
no
future
on
this earth.
Our continued
existence
depends
on just how angry you can get.
It
was a take-no-prisoners
essay,
lambasting everyone
and
everything
for doing too little,
if
anything at all:
the
Centers
for Disease
Control,
the
National
Institutes
of Health,
Mayor Ed
Koch, The
New
York Times,
the
Advocate
and
closeted
gays—yikes,
me.
(“It’s
1983 already,
guys, when
are
you
going to come
out?
By 1984 you could be
dead.
Every
gay man who is unable
to
come
forward
now and fight to save
his
own life
is
truly
helping
to kill the
rest
of us. There
is
only one
thing
that’s going to save
some
of
us, and this is numbers
and pressure
and
our being
perceived
as united
and a threat.
As more
and
more
of
my friends
die,
I
have
less
and less
sympathy for men
who are
afraid
their
mommies
will find out or are
afraid
their
bosses
will find out...”)
Larry
Kramer
was never
one
to
sugarcoat anything.
These
were
pre-internet
days so it took years
before
I
ever
got to read
the
full
5,000-word
article.
By
then,
I’d seen
it referenced
many times
as the
call
to action. The
urgency
in
Kramer’s
writing was palpable
as
he
referenced
the
rising death
toll and the
lack
of clear
understanding
of how AIDS was contracted
and how
it should be
treated—an
astounding 86% mortality rate
over
three
years.
More
needed
to be
done
than
following proper
channels
and waiting out conventional
vetting
periods
for medical
research.
“I don’t want to die.
I
can only assume
you
don’t want to die.
Can
we
fight
together?”
Four
years
later,
in March 1987, Larry Kramer
helped
organize
ACT
UP after
rallying an audience
at
NYC’s Lesbian
and Gay Community Services
Center,
sharply criticizing a major grassroots AIDS influencer
of the
time,
the
Gay
Men’s
Health
Crisis, an
organization in which Kramer
had been
one
of
the
founders.
“Do we
want
to start a new
organization devoted
to political action?”
ACT
UP did what it aimed
to do, making headlines
for its motto, Silence
=
Death
and its soundbite
chants,
including:
“Act
Up! Fight Back! Fight AIDS!”
“Black,
White,
Gay,
Straight. AIDS Does
Not Discriminate!”
“What
Do We
Want?
Money
For AIDS? When
Do We
Want
It? Now!”
“Hey,
Hey,
FDA [Food and Drug Administration]. How Many People
Have
You
Killed
Today?”
“George
Bush,
You Can’t Hide.
We
Charge
You
With Genocide.”
Abrasive
and
offensive.
They
chained
themselves
in government
buildings, scaled
them
to fly banners
and interrupted
church masses
with die-ins.
Too
often
I thought Larry Kramer
and his brood went
too far. They
got on the
news
but I feared
they
were
hurting
the
cause,
giving
haters
more
reason
to hate
and
causing
friction with people
who
were
already
on our side.
(Yes,
Kramer
called
Dr. Anthony Fauci a murderer.)
But
then,
to quote
the
only
line
I
could ever
relate
to
in the
Paul
McCartney-Michael
Jackson duet,
“The
Girl
Is Mine”:
I’m
a lover,
not a fighter.
Or, to quote
Rodney
King, “Can we
all
get
along?”
Of
course,
back
then,
that was but a dream.
People
like
Senator
Jesse
Helms
attributed
AIDS to “deliberate,
disgusting,
revolting
conduct” while
other
self-righteous
churchgoers
welcomed
the
disease
as
God’s wrath.
I
had been
consumed
by AIDS since
I
was fifteen
or sixteen
in 1980 when
I sat at home
one
night
in the
family
den
as my parents
watched
“20/20” and a segment
aired
about a sickness
that otherwise
healthy
gay men
were
dying
from. At that early
stage
it
was called
GRID or Gay-Related
Immune
Deficiency.
Struggling with my sexual
orientation—back
then,
it was frequently
called
“sexual
preference,”
as
if one
could
simply
opt
for another
choice
on
the
menu—I
picked
up the
latest
issue
of
Texas
Monthly
on
the
coffee
table
to
cover
my reddening
face
as
the
horror immediately
registered:
I
could die
from
this.
For
the
next
fifteen
years,
I read
every
article
I
could get
my hands on. In
the
process
of working
through my sexuality,
I came
to
understand
being
gay as being
inextricably
interwoven
with the
AIDS
crisis.
A
few
months after
reading
And
the
Band
Played
On,
I opted
for a quieter
form of advocacy, signing up to be
a
volunteer
at the
AIDS
Resource
Center
in Dallas before
moving
and
becoming
a buddy for PWAs (Persons
With AIDS) at AIDS Project Los Angeles.
I slapped
a pink triangle
on
the
bumper
of my car, marked
my American
money
with a “Gay Dollar” stamp and participated
for
several
evenings
marching in protest
of California Governor
Pete
Wilson
vetoing
AB 101, legislation
which would have
prohibited
employment
discrimination on the
basis
of sexual
orientation.
I stopped
on the
third
night as protesters
swarmed
the
car of a driver
demanding
to get
through and he
responded
by putting his foot on the
gas
pedal
and nearly
running over
several
people.
Yep,
not a fighter.
The
driver’s
action scared
me,
but
so did the
rising
anger
of people
I
walked
with. The
scene
teetered
toward violence
via
mob mentality.
I was too shaken
to go out the
next
night.
In
time,
I
came
to
realize
Larry
could be
Larry
and I could be
me.
What
mattered
was that we
were
both
doing what we
felt
was right. We
both
sought to make
a
difference.
We’d
both seen
too much hate
and
felt
too much loss from one
disease.
Over
time,
I
became
thankful for Larry Kramer’s
passion and his action. People
listened
to Larry, even
if at first it was only
because
he
was
yelling.
He
helped
rally people
who
would never
have
felt
comfortable
or
valued
in more
conventional
advocacy streams.
I’d
read
in recent
years
that his health
was in decline
and
I
wanted
him to rally once
more,
for
his own sake.
It
is astounding how much has changed
in the
past
forty years,
not just in terms
of HIV but with regard
to LGBTQ rights. Perhaps
like
World
War II veterans,
I fret
that younger
LGBTQ people
will
fail to grasp the
devastation
that came
from
AIDS and the
varied,
sophisticated
forms of advocacy and empowerment
that arose
from
it. There
is
more
to
be
done,
but
we
are
freer
and
healthier
today, mentally
and physically, because
of
thoughtful, gutsy agitation from gay and lesbian
leaders
who navigated
through scarier
times.
I
wept
when
I read
the
first
tweet
about his death.
I can’t picture
him
resting
in peace.
I’ll
always see
him
as the
fighter.
Maybe
I
should offer
Larry Kramer
that
hypothetical
dinner
invitation, after
all. He
could
show up as ’80s Larry, contankerous
even
to the
sweet
Olivia Newton-John.
I’d
welcome
anything
to distract from the
main
course.
1 comment:
Well done, RG. As always, comprehensive, personal, and eloquent.
I have little awareness of Larry Kramer beyond how abrasive he could be. That turned me off, yes, but, as I grow older, I see him differently (as you do too). I think he defended us, as gay men, when most(?) of us didn't have the self-awareness, self-respect, or self-esteem to defend ourselves. Or when it was just easier to stay in our respective closets and live in fear.
His methods were grating, surely, but his intention was to wake us up, the mainstream community and the gay community. He deserves a lot of credit for doing just that.
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