An
important book. That’s how I’d
initially regarded
Rebecca Makkai’s The
Great Believers
(Viking, 2018). I knew from skimming a review that it was a novel
about AIDS, after all. But that hadn’t been enough. If it had come
out in 1990, I’d have devoured it, just as I’d worked my way
through Randy Shilts’ And
the Band Played On,
sobbing at many spots, getting riled up at many more. But the urgency
has long faded, at least here in North America. Maybe that’s why I
only made it through the first twenty pages when I checked this book
out from the library last year. I stumbled across the title again
when I was in Stockholm this fall and jotted down the name, having
forgotten that I’d abandoned the book once already. Thank god for
memory lapses. This time around, the important book quickly evolved
into a compelling, entertaining read.
The
story begins in Chicago in 1985 at a makeshift memorial for Nico who
has just died from complications from AIDS, his gay lover and friends
excluded from the official family funeral held twenty miles away.
Nico’s feisty twenty-one-year-old sister, Fiona, has boycotted the
funeral, opting to be with loved ones who never shunned him. Chapters
alternate between 1985 Chicago (and the years thereafter), told from
the perspective of Nico’s dear friend Yale, and 2015 Paris where
Fiona is trying to locate her adult daughter, with whom there has
been no communication for three years. Parts of the story go back to
pre- and post- World War I as well, since 1980s Yale, in his new
position working for a fledgling art gallery at Northwestern
University, has to make trips to Madison, Wisconsin to meet up with
Fiona’s great-aunt, Nora, who may or may not have a significant art
collection to
bequeath from
her time in the thick of the Parisian art scene, connecting with
greats like Amedeo Modigliani and Tsuguharu Foujita.
The
story is about profound loss and how to keep alive the memory of
loved ones who died in what should have been the prime of life. Just
as aging Nora is still driven by a passionate love affair from more
than sixty years ago, Fiona finds her life forever impacted by her
deceased brother and his gay community of friends. Indeed, in an
excerpt from a 2015 chapter: “They weren’t all dead. Not all of
them. On October 13 she’d held her own quiet memorial, alone in her
house, for Nico. Candles and music and too much wine. Thirty years.
How could it possibly have been thirty years? But that was just the
start of the worst time, when the entire city she’d known was
turning into lesions and echoing coughs and ropy fossils of limbs.”
Often,
in reading this book, I ached right alongside Fiona. The book is so
well-researched, the events of the AIDS crisis so realistically told,
that my own friends and acquaintances—Stephen and Don and Farrell
and Jose—came vividly back to life as well, frozen in time at
twenty-eight and thirty-two. Knowing how prognoses began to change
beginning around 1995, The
Great Believers
brings back heartache and a rueful, devastating series of If
Onlys.
Quoting from the same page: “She had so much guilt about so many of
them—the ones she wished she’d talked into getting tested sooner,
the ones she might have gone back in time to keep from going out on a
particular night…, the ones she might have done more for when they
got sick.”
The
plots about the possibly valuable art donation and Fiona’s missing
daughter are told well enough, but the heart of the novel involves
how the AIDS crisis impacted one particular social circle in 1980s
Chicago. The accounts of decisions to get tested (or not), of
fretting over the results in what was then
a tortuously
long two-week
wait period, of hospital visits, of rapid declines witnessed on the
street or in bars, of debates about bathhouses and of rising civil
disobedience vividly convey the time. For me personally, I was still
closeted back then, my awareness of AIDS developments coming solely
from news sources (and, yes, Shilts’ magnificent tome). The
Great Believers
masterfully adds flesh to the facts that I knew. This work of fiction
makes things real.
Given
the subject matter, there were scenes that I struggled to get through
and I had to put the book aside one night, angry with a plot decision
Makkai made. It was silly. She was keeping things brutally real; I
was fighting for some trace of fairy tale. Happily ever afters had
no place in that time. Didn’t we think it was only a matter of time
before AIDS got us all?
For
more than a generation now, there have been happier fates,
endings postponed indefinitely. That means that a large portion of
the LGBTQ community has no personal knowledge of such a darker time,
one which also gave rise to more political activism leading to so
many of the changes we see happening today. AIDS was our war. The
Great Believers is a powerful book to help us remember, to help
others understand. An important book, yes, but also one that is so
very well told.