Sometimes in the
brouhaha we miss out on the finer points.
I watched the
premiere of “The Conners” this week and then read the uproar on
Twitter. No Roseanne, no show. People trashed the show although I’m
sure many did so without watching. I don’t begrudge (non) viewers
for sitting things out after Roseanne’s firing, but I do cry foul
when they call the show “crap” without seeing it.
I loved Roseanne
before she ever had a hit show. I remember seeing her on “The
Tonight Show”, having a VHS tape of her Domestic Goddess stand-up
routine and watching it repeatedly when I needed a good laugh. I
don’t think I missed an episode of “Roseanne” and I appreciated
the inclusion of LGBT characters, namely, Sandra Bernhard’s Nancy
and Martin Mull’s Leon. To be sure, Roseanne as a person has
polarized many times in the public eye. She’s an individual who
would be challenging for any producer, showrunner or agent to rein
in. (I suspect many of the people who were most offended by her
infamous singing of the national anthem were among the angry mob
decrying her firing for referring to Valerie Jarrett as a Planet of
the Apes offspring.) People can agree to disagree on whether she
deserved to be fired for her “bad joke”, tweeted while on Ambien.
As was the case with Kevin Spacey’s “House of Cards”, to cancel
the entire show would have unjustly affected far more people.
I was not a fan of
“Valerie” after they axed Valerie Harper and changed the name to
“Valerie’s Family: The Hogans” (later, “The Hogans”). I did
watch a few episodes, however, primarily because I could see that
Jason Bateman, even at that age, was a true talent and Edie McClurg
is a hoot in anything she does. To be clear, as a rabid, lifelong fan
of “The Mary Tyler Moore Show”, I will always be #TeamValerie and
her masterful comedic talent was sorely missed as producers tried to
salvage a hit show. Ultimately, I stopped watching but not until
giving the reboot a shot. Deep disappointment will always follow a
star’s exit from a show, regardless of the circumstances. I sorely
missed Delta Burke on “Designing Women”, Shelley Long on “Cheers”
and even Suzanne Somers on “Three’s Company”, but continued to
watch two out of three of the sitcoms. (John Ritter’s pratfalls and
exaggerated gay mannerisms were too off-putting.)
What the abstainers
of “The Conners” missed, beyond the continued fine acting of John
Goodman, Laurie Metcalf and Sara Gilbert”, was the further
development of an important storyline from last season on “Roseanne”:
the acceptance of Darlene’s ten-year-old son, Mark, as he
confidently explores gender identity and sexual orientation. Last
season, Roseanne and Darlene accepted Mark in his choice of clothing
while Dan remained uncomfortable. Without his Rosie in the premier of
“The Conners”, Dan had to come to terms with Mark on his own. At
first, he tried to opt out of offering advice over which boy crush
Mark should sit beside on the bus ride to a school field trip, but
then Dan came around and helped Mark create a pro and con list for
each boy. (Ultimately, Dan favored the seemingly well-adjusted boy
whose family has money—they vacation in places where you get a
tan!—while Mark decided on the brooding boy instead.)
I am curious to see
how Mark’s character will develop over the course of “The
Conners”. This is a great opportunity for a positive portrayal of
LGBTQ acceptance and gender fluidity on a major television network.
Frankly, I think there is more time to develop this without Roseanne
on the show even though I am confident that Roseanne was fully in
favor, perhaps even instrumental (along with Gilbert), in introducing
this character. We all know that Roseanne is larger than life and a
show with her can’t help but stay on her as the primary focus. Last
season, Mark’s character got a lot of attention in the first
episode and then wasn’t developed further. With a major character
out of the mix, others will receive more airtime. (Heck, even DJ got
a couple of lines this week!)
I contrast Mark’s
role on “The Conners” with another show that I saw for the first
time last night, “The Cool Kids”. On this particular episode,
Leslie Jordan’s Sid, a gay senior citizen, tries to suppress every
cliched gay mannerism and decor choice so he can remain closeted in
front of his clueless (ha ha!) adult son. Nothing subtle there. Call
it “Three’s Company, 2018”. I laughed once or twice simply
because Leslie Jordan is that good at playing flamboyant and just
watching his efforts to contain his hip movement showed a mastery of
physical comedy. But the broad strokes of “The Cool Kids” feels
truly old-school compared to the more nuanced, matter-of-fact
portrayal of Mark on “The Conners”.
The premiere of “The
Conners” was bound to generate strong reactions on Twitter. (The
whole “it’s not ‘Roseanne’ without Roseanne” argument
seemed the silliest—hence the name change, folks!) The naysayers
certainly had their say. Now I hope the writers on “The Conners”
and the actors continue to enlighten and amuse with thoughtful
stories and exemplary acting for as long as ABC decides it’s a
viable show.